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Monthly Archive for September, 2006

Happy 59th Birthday Hector Lavoe!!

Héctor Lavoe (born Héctor Juan Pérez Martínez, September 30, 1946 in Ponce, Puerto Rico - d. June 29, 1993 in New York City) was a Puerto Rican salsa singer.

He has performed in some of the most prestigious concert halls featuring Salsa, as well as Jazz events like the Newport Jazz Festival. His recordings have also garnered him many awards and gold albums. His success is attributed to his musical expression of his unique jibaro salsa flavor and his love of Puerto Rico.

Héctor was born in Ponce, Puerto Rico to Pachita and Luis Perez, and raised in the Machuelito barrio of the city. He was inspired early in life by his musically-talented family. His grandfather Don Juan Martínez was a singer of controversial songs, which often went from vocal conflict to physical confrontations. His uncle was a well-known tres player in Ponce. His mother Pachita was well known among her family and townspeople for her beautiful singing voice. His father Luis supported his wife and eight children by singing and playing guitar with trios and big bands. Héctor would also be influenced by Puerto Rican singers such as Jesus Sanchez Erazo -also known as “Chuíto el de Bayamón”- one of the island’s most successful folk singers, and Daniel Santos. Later in his life, he would have the honor of recording songs with both artists.

Héctor attended the local Juan Morel Campos Public School of Music where the saxophone was the first instrument he learned to play. Among his classmates were Jose Febles and multi-instrumentalist Papo Lucca. (Jose Febles wrote most of the horn charts for “Rican-Struction”, considered by many to be the best album to ever come out of the New York Salsa scene). One of his teachers would strictly demand good diction, stage presence and manners from him - something that suited him well later on - claiming that as a bolero singer, Héctor would become a superstar. By the age of 14, however, Héctor dropped out of school and sang with a ten-piece band. He moved permanently to New York on May 3, 1963, against his father’s wishes. It would take many more years before Héctor was able to reconcile with his father.

With his newly-found success, Héctor, like many successful artists of his time, such as Judy Garland, La Lupe, and Billie Holiday, became severely addicted to narcotics and prescription drugs. His addiction resulted in him showing up late for gigs, and eventually did not show up to some scheduled performances at all. Although Willie would eventually fire him, he tried to help Lavoe seek assistance to try to quit his habit.

Willie Colon (left) with Hector Lavoe (right)

Willie Colon (left) with Hector Lavoe (right)

In 1973, Willie Colón broke musical relations with Héctor . Lavoe was given the opportunity of becoming bandleader; he and his band traveled the world on their own, as well as with the Fania All-Stars. During his travels, Héctor went to Honolulu, Hawaii and ran into a young man who went by the name of Shakti. Shakti eventually became his mentor, providing him with spiritual and metaphysical guidance. Lavoe later found out that he befriended a very powerful yogi in disguise who was trying to open Lavoe’s spiritual vision. Héctor established himself as a successful singer within a relatively short time and was recognized as a legend in his own time. With a new found spirituality, Hector eventually sought reconciliation with his father. On a visit to Puerto Rico, his father received him with open arms.

Despite his success, Héctor’s life was plagued by tragic events, emotional turmoil, and pain.

Héctor died penniless on June 29, 1993 in New York City. The cause of death was complications from AIDS. He was initially buried in a plot in Saint Raymond’s Cemetery in the Bronx (which ironically is the burial place of both La Lupe and Billie Holiday. Until 2002, Lavoe’s grave was within walking distance from La Lupe’s), however, in June 2002 the bodies of both Lavoe and his son (who died in 1987 at the age of 18 years) were exhumed per his family’s request. They were later reinterred in his native Ponce, along with his wife Nilda who passed away a few weeks prior to the reburial.

Here is a old video of “Todo Tiene Su Final” which means, “Everything has an ending…”

La Sonora Ponce�a : Fuego en el 23…..back in the day……

I'm a pretty big fan of old salsa videos.. specifically because it reminds me of my childhood (somewhat) and how salsa used to be. Its cool to see how salsa bands used to be shown on different shows, and how they used to perform. I also like to see how the current bands that I like, such as the famous Sonora Ponceña (more than 45 years together) used to look like. Here is a video of them performing "Fuego En El 23" which means, "Fire on 23rd".

Junior and Emily in ‘Lord of the Spin’ (Salsa Dance)

Ok, now these are the cream of the crop of dancers. These are the famous Junior and Emily salsa dancers. This brother and sister duo are the winners on 2 of the 4th anuual San Francisco International Salsa Competition in 2005. I saw them perform at the PS Congress as well, and they are also excellent instructors - and man, SHE CAN SPIN. Other than Serena from Majesty In Motion, and Magna from Mambotribe, I think Emily is probably the best spinner - hands down. Its one of those videos, where if you weren’ t there to see them live, man, the video doesn’t even do it justice - but a lot of fun to watch. There is nothing more attractive than a woman who can do multiple spins on a dime.

Also, I think the dip at the end of the performance is my favorite dip ever!

Salsa DJing (or VJing) 101 : Focus on atmosphere and music…

Salsa DJing 101So, this is more about a really-big pet-peeve of mine than anything else. I used to dance in Des Moines, IA for the longest time and watch some DJs there (they will stay unnamed) - but what they used to do was show these really crappy music videos on their projectors. Now, showing some cool salsa videos is one thing - but showing videos of women in bikinis (or body-paint) only shaking their asses and tits for 3 hours straight is not inducive of a elegant atmosphere. Now, I thought it was that DJ that only did that. So, when I went to the La Jolla Marriot, here in San Diego CA on a Friday, I saw the same thing - videos of basically naked women shaking their asses on the screen for hours! I'm like, the video being played, is not even the song that we are dancing to — so why do it?

I'm a big fan of a club that keeps its elegance in design - specifically in atmosphere. So, here is my concern, which I could be wrong. I don't think this helps the atmosphere for the dancers who are actually dancing. Maybe it helps the guys who never dance, have something to do, but otherwise, I do not think it adds any beneficial components to the salsa dance scene for the night. If I were a girl, I would feel uncomfortable being at the club if those videos were being played for hours straight. I feel that if girls do not feel comfortable at the club, then hence, fewer girls might show up, which will make the night less interesting for the guys who are there wanting to dance with the ladies - which hence, might mean less attendance to your event for that particular DJ.

So, it is interesting to note that I did go to the same club on two different nights, with two different DJs. The friday DJ played these sleazy videos on the screen as well as not playing good dance music. The DJ on saturday didn't play any of those videos, on the other hand, he played salsa congress videos - and I think that was MUCH better. I can tell you (and ask anyone else) that Saturdays at the Marriott are much better than Fridays - and I think in part is because of these videos. Not only because the videos are not good for the atmosphere, but because instead of wasting time on these vidoes, that DJ should be spending more time in picking and choosing the RIGHT music to play next - which is what we are actually there for! 

Just the same way, salseros can be differentiated by their styling flavor, bad and great DJs can be differentiated by their choice of songs during the night - not by the videos on the screen. If we wanted to watch videos on the screen, we could have stayed home!

El Gran Combo de Puerto Rico live @ The Salsa Congress Puerto Rico

Well, here is my favorite salsa band.. and if you haven't known from the million of times I've mentioned them - they are El Gran Combo the Puerto Rico. This is probably one of the best videos I've seen of the band, specifically with the good sound quality. Here they are performing at the Puerto Rico salsa congress - the song: Matrimonio - which means 'marriage'. If you have never seen this band live, you are missing out! They are the best performers I've seen, a lot of fun to watch their dance choreography (its simple, but fun).

Also, their lyrics are metaphorical, high truthful and hilarious - and specifically how they mix the lyrics as instrument sounds. Example, in marriage - people fight, and the spanish sound for fighting is pan-pun-pin (it sounds like throwing punches)…. and well, thats the sound of the of they conga/rhythm in this song - thats why you hear them say 'PAN-PUN-PIN-…PIN-PUN-PAN'). Of course, this is just the truth about most relationships - but the lyrics is are funny because they are also truthful. Its like standup comedy.. Makes me scared of ever getting married..  Wink

If you are wondering where you can get the song, you can get it on iTunes here: El Gran Combo de Puerto Rico - Aqui Estamos y... ¡De Verdad! - El Matrimonio

 

Most requested video… yes, learn salsa with Hernando! (again)

You wouldn’t believe how many people ask me about this video! I mean, I love the video and I keep telling any instructors that I meet how this guy was my ‘previous salsa instructor’ (before I give them the link to the clip) - of course I’m joking. Well, for those who keep asking about the Hernando Diaz Video - here it is! And oldie, but goodie! BANG BANG!

On2 in a Month : Start of Week Four - The home stretch..

Salsa NeuronsWell, have you ever seen Spiderman? (He's my fav superhero). Well, the introduction part where they show how the new nerve endings are lighting up and some new ones are created? Well, I feel that is exactly what is happening.

So, last time we left off, I sucked both on1 and on2. Now, after hitting the dance studio everyday, going clubbin almost every day and listening to salsa non-stop with all the excercises I mentioned… man, I went to the club on Saturday and I was firing on all cylinders! I had great On1 dances, and great On2 dances. It was so much fun to start being 'myself' again on the dancefloor. I did have 2-3 not so good dances, but I think it might have been that the girl that I was dancing on two was not keeping her timing (and I ended up having to slow her down). Other than that - its amazing what 3 weeks will get you. I mean, I'm not On2 perfect, but I still have a whole week left.

I believe in always finishing strong - therefore, I will hit the dance studio everyday again (with the new music David gave me) and possibly start coming up with new footwork. I think what is happening is that, instead of replacing my On1 stuff, I think I'm creating 'new' connections that work to On2. This means I could switch between On1 and On2, whenever I please - of course, I may screw up once or twice in a song, but I become aware that maybe I won't reach a certain step by a certain time, and compensate for it.

With all of this said, I find dancing On1 much easier (since dancing On2 was so much harder). It goes back to what I call the David Stein Collary #1, which I can sum up in a simple analogy. If you are training to lift weights, you should push yourself to bench-press 200lbs everytime (for example). So that whenever you enter a contest, that requires you to bench-press 100lbs, it will seem like a breeze. If you practice doing the hardest things, when the time comes to do all the simpler things, they will be extremely easy.

On another note, now that I have danced On2 for a while, I'm actually starting to dislike dancing On1 - which explains why most women who I danced with always wanted to dance On2. There is a weird feeling of having more time, and more 'attributes' in the song to have your body play with the music. But who knows, I still have one more week left, and maybe I'll get a better sense on how to explain that 'feeling'. 

Salsa Clip : Thomas Guerrero combination

Just another quick clip for the week…  This is the instructor Thomas Guerrero - director of santorico.com - had the place rocking during his workshop ot the UK salsa congress.

Basic Salsa Steps Table : Map On1 to On2 timing steps

So I thought  I might post something that is pretty useful for me right now. I actually wrote this on a napkin at a club while I was working on my on2. Sometimes I go to the club and I see a move that I like and decompose it. Now, I can’t only decompose it now, but I have to ‘translate’ it to the beat pattern I need to dance on. For example, if I see an On1 move, I need to figure out how to do it On1, and then translate the steps On1. If you have this similar situation on how to translate moves, I give you this useful table:

  On1 Steps   NY On2 Steps   PR On2 #1 PR On2 #2
1 <-> 6 <->
2 2
2 <-> 7 <-> 3 3

3 <-> 8 (pause) <-> 4 (pause) 4
Neutral 4 (pause) <-> 1 <-> 5 5 (pause)
5 <-> 2 <-> 6 6
6 <-> 3 <-> 7 7

7 <-> 4 (pause) <-> 8 (pause) 8
Neutral 8 (pause) <-> 5 <-> 1 1 (pause)

One thing you’ll notice is that from On1 to any form of On2, there is no direct step-correlation. Why? Well, its mainly because the pauses taken are in differnt locations. Therefore, dancing On2, is slower than dancing On1. I will write an article later on about what I call ‘hang-time’ in order to explain this effect - but I hope this table helps some of you trying to decypher any moves you see. The amount of Hang-Time is shown in yellow for each type of style.

[UPDATED] Not sure about #2 PR, but it was submitted by a user. There might be more than 1 style in Puerto Rico.. funny, I’m Puerto Rican, and I should know… too bad that when you are growing up in PR, all you hear is reggaeton/rap. Sad that most of my childhood friends never really danced salsa.

MIT Casino Rueda Group at Ryles in Boston

So, what do you get when you combine some of the smartest people in the nation (MIT - is a univeristy that is #1 in the US) and salsa casino rueda? Well, you might be surprised! Its funny how most of the great salsa dancers that I know are engineers.

I may not be a big fan of salsa rueda (mainly because I like my alone one-on-one time with the lady), but it fun in a group environment. Its kind of like salsa speeding dating/dancing.