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Monthly Archive for March, 2007

Salsa Recording at the Studio with Eddie Palmieri

Ever wonder how they record those awesome salsa tracks? Well, I got just the video for you. I found this neat video on YouTube which is basically Eddie Palmieri (a great salsa musician) recording one of his hits in the studio. I think its amazing to see how every different piece of a song (the drummer, the trumpeter , and the pianist) are all placed in different locations, with separate soundtracks (in headphones) and yet somehow, everything comes together (or maybe the headphones are for another reason - I'm no up and coming artist.. :-) ).

Instrumentation solos upclose - Larry Harlow

Now, I know some of you are probably still working on what are great salsa musicians (so that you can know what to buy). Well, here is another great classic artist that has carved his name in the salsa annals. This is the famous Larry Harlow (known as "EL Judio Maravilloso" or the "Jewish Marvel"). The main reason I like this video is that it gives you a different perspective on instrumentation solos. The videographer got real upclose to every instrument performing a solo. One of my favorite ones is seeing Larry Harlow's hands on that keyboard. Its amazing how he makes playing those rhythmz and keys so effortless.

Another great percussion solo : Mongo Santamaria

Well, Orion from the forums posted this video of Mongo Santamaria doing a precussion solo - and I just had to put it on the frontpage. Another great vintage video. The end part of the video talks about the african tribes, and how a new chief would would ask his expert craftsman to make an great instrument whose excellence would recognize the new Chief's greatness. Another interesting fact noted in the video (according to it), Elephant ears were used  as the covering of the drum.

Body movement to music - Fogarate Style

So, browsing through videos, I found this old Juan Matos and the Fogarate Dance Company performance at the UK Salsa Congress in 2004. Even if its an old routine, its just amazing to watch how there is hardly any partnerwork, yet its amazing to see all the footwork, styling and the DETAILED body movement that is put into every step. Well, enough talk - just watch the details in the movements to the music. They may be minute in some places, but sometimes, less is more… The song is good to start the weekend! 

Houston (Texas) Salsa Congress 2007

So, a lot of my salsa friends… (hmm.. do I have any friends that don't salsa?) went to the Houston Salsa Congress this year (2007). I heard it got great reviews, and I got pointed to some of the videos they took of the occasion. Now, I tried to see if I could download the videos and fix the brightness, but I couldn't - regardless, I'll post them here anyways. This one is of this pair of people dancing at the congress night event. One of them (the female) is  the famous Jamaica from San Diego, CA (she's with Son y Pasos) and the male dancer is from Dallas, TX (director of Enfuego Danz).

Now, I also found this awesome pattern taught by one of my favorite instructors - Mario B. Mario B has some simple/smooth yet complicated patterns, that are just fun to watch (when executed cleanly).

Addicted2Salsa back up…

Sorry guys. So I guess my hosting provider has had some trouble this morning (and afternoon) with their database servers (so if you came to the website before that is why you kept seeing those errors). Everything is fine for now. They have told me there will be a scheduled maintenance of the systems starting TONIGHT FOR 6 HOURS - so, no addicted2salsa.com starting at 22:00 PDT.

Salsa Fashion - What I wear for a night at the club…

Anthony’s Salsa ShirtsIts an age-old question… what should we wear for salsa? Well, compared to ballroom dancers (where for some reason the trend has been to wear mostly black - as in a funeral), Salsa is more casual. You can pretty much wear anything. With that said, I have been asked this question various times - on what do I wear to go out salsa dancing. We’ve talked about shoes, we’ve talked about body-spray… well, lets talk about some fashion.

Now, back in the day I used to be a little more formal than now. I used to wear short-sleeved shirts with khakis. Times have changed, and I’ve learned lessons about design, comfort and color.

In general, my new style is basically wearing long-sleeved shirts (fitted) and jeans (denim). I usually let the shirt be tucked out, and I roll-up the sleeves. The jeans are usually washed (as in color, not only in the laundry context) - to add a little depth.

Anthony’s Salsa Pants

Now, lets talk about the shirt. In the picture I’m wearing my favorite types of shirts which come from Express for Men. Now, I know some of you (or most) will probably be like (I can get the same thing from Target or Walmart). Well, not technically - the same reason why most people in the US (sorry, had to be specific) prefer iPods over any other MP3 player - applies to clothing as well - its about design. Unlike most dress shirts on the market today, which have a flaired bottom section that make them look like dresses when untucked, Express’ 1MX shirts are actually tapered below, contouring to your natural figure. Therefore, they fit nicely to your form, which makes them extremely comfortable. Because they fit so well, they are very easy to dance in. You won’t get that effect where if you raise your arm with regular shirts, your entire midsection shows. They are also made with higher quality materials - which makes the feel (and the look) a lot better - which richer colors that will last longer than most shirts and survive multiple washes. It is like thread-count on bed sheets. You might be sleeping on a 200-thread-count cotton sheet. However, if you feel a 600-thread-count sheet (nice Hotel Sheets) - you would prefer it (there is a huge difference). And of course, if you realize you’d want to wear comfortable clothing, and you are willing to pay for comfort (for something you’ll get a lot of use out of) - there is no shame in paying a premium.

With that said, in some special occasions I’d wear a t-shirt and jacket for dancing salsa. However, this depends on the club. If the club is not very well ventilated, or I plan on dancing a lot - wearing a jacket is a little hard due to the amount of sweat it can produce. Additionally, adding a jacket to my attire for the evening will reduce the patterns I would be doing (but most likely I can use the

jacket as part of my styling if you become innovative).

Now, my two favorite colors are white and red (not together though). I’ve been told that the color red and the color white look good on me. I currently have white dance shoes from Ballo, and therefore I end up wearing more white than red. But in the cases where i’m wearing black Aldos shoes for dancing that night - I like my red. (However, its harder to tell how much sweat you have when its a white shirt).

As far as the jeans (I don’t wear khakis anymore for dancing) - I usually buy them from GAP, Express for Men or A|X. I usually go for darker colors (since I have darker clothing as well). I like them either straight or boot fit. For those, fashion un-savvy: straight fit is well, straight (they fit basically like a glove - but are still comfortable - no need to wear a belt) and boot fit is where it kind of opens up (a little more loose) at the bottom. I’m not a big fan of the loose or relaxed fit because it makes me look ‘bigger’ than I actually am. I also liked wash-colored jeans (as seen in the picutre) because it makes the jeans look more interesting (instead of plain old jean color). Also, because of design, having the lighter parts highlighted as shown, it provides a better sense of depth (so it looks better).

Anyways, with that all said (so you know now what I wear to go dancing)… What do you wear to go dancing? It would be good to see what people’s interests are in attire….

Pedro Navaja - Ruben Blades (Live)

I found another great classic on YouTube. (I love YouTube). This is the famous song by Ruben Blades, called 'Pedro Navaja', which I can bet you've heard at some point in your salsa lifetime. :-).  Now, first of all - this is an OLD video (because Ruben Blades is so young in it). Second, if you don't know - Pedro Navaja means 'Peter Knife' (or some 'Mack the Knife'). Its the story of a day in the neighborhood. The song is about a person named Peter, who tries to rob a prostitute because its been a 'slow' day. What happens is that the prostitute ends up having a gun - and well, they both die. Yep - that's the whole story. Yet, it sounds like a happy song! But trust me, one of the main reasons this song is famous (at least why I like it) its because the lyrics really just describe a scene of a day in life of 'back in the old days'. Actually it reminds me a lot of my youth in Puerto Rico in the old towns (actually where my mom grew up in - Utuado, Puerto Rico). Anyways, enjoy! (If you want, you can google up the lyrics if you are realy interested).

 

Salsa Bloopers - ’cause sometimes %$#& just happens…

We talk about great performances all the time.. but what about when we know we've messed up during part of the performance? Let's face - it happens. At somepoint, the statistics are against us that we are either going to forget/blank out during the performance, or miss a hand that will cause us to be out of sync with the rest of the dancers. Well, that's completely alright. It is not how you start the performance, but how you end it. Sometimes, you can't do much when you screw up during part of the choreography, but you can try and make up for it in other ways.

This video shows exactly that - when something goes wrong, you try to recover it as best as you can.

From Mambo to Hip-Hop…

This information was sent by Patrick about a documentary called "Mambo to Hip-Hop" by Henry Chalfant. Here is the excerpt:

Mambo to Hip Hop: A South Bronx Story features Luis Chaluisan as the narrator: Eddie Palmieri, Ray Barretto, Benny Bonilla, Orlando Marin, Manny Oquendo, Willie Colon, El Extreme, Africa Bambaata, Kool Herc, Charlie Chase, Fabel, Kid Freeze, Track II, Trace, Bom 5, Sandra Maria Esteves,and more. The film presents a panoramic view of the music that blossomed in the latin community of the South Bronx from the late 1940’s when mambo burst onto the New York cultural scene through the birth of hip hop in the 1970s. The film chronicles two generations who grew up literally on the same streets, and both used rhythm as their forms of rebellion - for the older generation it was the pulsating rhythms of Cuba; for their children it was the rhythms of rap. The film, designed for public television and possibly theatrical release, aims to bring attention to the Bronx neighborhoods and communities who, with few resources, transformed the world’s pop culture. Mambo to Hip Hop: A South Bronx Story, release January 2006, an hour long documentary produced by City Lore, Inc. and directed by Henry Chalfant.

I think this can be a very entertaining and powerful documentary in connecting different dance styles - and the whole Latin-New York culture during that era.