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  • 9:12 am on April 20, 2009 | 12 | Permalink Reply
    Tags: , , New York City dancing, On 2 style,

    My first NYC Salsa Social Experience…
    Well after 8 months of salsa On2 lessons I finally had enough nerve to attend the world famous Jimmy’s Anton Social yesterday and I wanted to share that with you all.

    My first NYC Salsa Social was an exciting, fun and humbling experience.

    How I did it: After attending nearly 8 months of salsa classes I finally felt I had enough training to hold my own on the dance floor. I did hold my own just a bit though. I still have a lot to learn and was very optimistic when I spoke to some amazing dancers who had been dancing for only two years. It was a bit of a mess on my part when dancing with very experience followers. I was rushing them and not giving them enough time to do their styling and enjoy the music. That I know will come with my more practice.

    Lessons and tips: If you can attend a social with people from your salsa class do it! It kills the nerves a bit knowing you’ll always have someone you can dance with. Don’t get discourage when females turn you down for a dance, move on to the next one there’s always a female waiting. When dancing in NYC always give the woman a chance to style if they’d like, if you don’t they will work it in some how, trust me and that may make it an unpleasant experience for you. Being that it was my first social I was very hesitant in asking a woman to dance but a lot of them were asking me to dance…which was great. But I also saw alot of guys getting turned down by females only wanting to dance with great dancers…it made me think that I will never turn down a dance from any woman no matter how good I get.

    Some advice for those still too nervous to attend a social….just go! It is so true what everyone says your dancing will improve greatly…The quicker you get out there the quicker you’ll improve your dance.

    Lastly, I think for most salsa lovers attending a big time social is a milestone we all shoot for and I think it would be great to hear your stories of how it went and what you learned. So please share your stories.

     
    • Marco

      Marco 10:07 am on April 20, 2009Permalink | Reply

      Man what a great post to read. I am very happy for your first experiance and a little jealous at the same time. I can’t wait for the day to come where I attend my first social. There is one that occurs about 5 times a year in Detroit (about 2 hours away.) One day I will make the trip.

      • IncaPie 11:33 am on April 20, 2009Permalink | Reply

        Marco,
        Where exactly are you located? Detroit has more than 5 socials a year. There will be a YA Salsa! social this weekend (April 26th) there. I was just in Detroit this weekend for a work conference and saw a salsa party at a warehouse district jazz nightclub. Check out for socials in the Detroit and greater area (including Cleveland). You could also see if Windsor, Canada has any separate salsa groups than Detroit, or if they just cross the tunnel to the US side.

        • Marco

          Marco 9:25 pm on April 20, 2009Permalink | Reply

          OK now you have my attention-thanks for chiming in!

          I’m actually a City of Detroit transplant now living in the greater Lansing area. Do you know of anything this far West. (I hope to one day attend the Cogress in Chicago.)

          I actually reached out to the “YA Salsa!” email contact, but my email must have been lost/forgotten.

          Thanks again!

    • Don Vaillancourt 9:44 am on April 21, 2009Permalink | Reply

      Is On2 your first salsa experience, or are you coming from On1? I have a year-and-a-half of On1 experience and thinking of learning On2 this summer/fall.

      • wmdzign 10:28 am on April 21, 2009Permalink | Reply

        I began On1…but I learned from just watching family members at parties and it was more cuban style, not in the slot. So no actual official training. And honestly I had no clue what On2 was until I walked into the salsa studio to take lessons 8 months ago. At the studio the instructor explain the difference and I was still skeptical, of the differences. I thought it would be an easy transition but for me it was very difficult. But once you learn the On2 style you can totally see and FEEL the difference.

        • Don Vaillancourt 12:45 pm on April 21, 2009Permalink | Reply

          I did an On2 beginner workshop last weekend and was surprised at how much smoother it is than On1. Now I know why people prefer On2.

          • me 3:28 pm on April 21, 2009Permalink | Reply

            You will NOT regret it. Keep going with it. On2 just feels so good!

          • Marie-B 10:58 am on May 1, 2009Permalink | Reply

            I find people should decide to dance on1 or on2 dependingly on the salsa. There are two kinds of claves 3/2 and 2/3. Dependingly on the clave dancing on two can seem smoother but sometimes it doesn’t work right and you don’t have a choice but to dance on1 to make it feel right and doesn’t feel smooth at all. I think it is a necessity to know both. Even though it is hard to be good at both without getting mixed up at the beginning

        • LBSources

          LBSources 3:49 pm on April 27, 2009Permalink | Reply

          On2 is the only way to go In my opinion of course :-)

    • LBSources

      LBSources 3:16 pm on April 27, 2009Permalink | Reply

      Great post!

      Guess I’ll help others and share my experience.. I attended the last NYC Salsa Congress after only a little over a year of dancing and boy .. My Fiance and I were intimidated. It really took some guts to get out there and dance. But we did it, and danced a few songs! Most of all we had fun!

      Our instructors and friends constantly told us that when you’re out there dancing, no one is looking at you and laughing or making fun of you. Of course out of normal fear we wouldn’t believe them, but they were right! Everyone is out there to have a good time. From beginners to very very advanced dancers. There aren’t that many people standing on the side lines either – they are off to the next dance.

      Having just a year under in the shoes :) – we obviously lacked the ability to really have lots of fun dancing and shining the skills. We had more fun about the act of dancing and ME trying to remember my turns and blending them in as much as possible so it didn’t look like we did the same thing over and over .. LOL

      The congress is what got me serious about wanting to dance and thriving on learning more. After watching many people I knew and others that I felt that I knew just by watching them dance – it gave me you the inspiration! I’ve become a Salsa-holic! Every chance I get – I want to dance!

      I frequent the internet (how I found Anthony and this great site and members) and socials like wmdzign recommends and YES that is what helps! If you want to become more confident; dance at your school socials and dance with your instructors and peers. This gets the fear out of you and helps you practice more often. Be sure to look around at other styles though – the last thing you want to do is get stuck in a particular cadence of dancing which makes you inflexible on the floor. Experiment!

      I have over 2 years dancing now and I’ll be sooo ready for the NYC Congress this year! I’m attending the CT Salsa Fest in May – wish I could go to the LA congress, maybe next year. I also plan to attend the Punta Cana salsa congress, lets see!

      Hope my experience helps others in confidence! Wishing everyone a great dance!

      Cheers!

      Lenny

    • gxhtferzq 10:15 pm on August 22, 2009Permalink | Reply

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  • 7:53 am on March 26, 2009 | 3 | Permalink Reply
    Tags: 2005 japan congress, liz, luda, oliver,

    So it’s been a while since I’ve had anything to post…but seeing Anthony’s post of Oliver and Luda spark some curiosity on the duo…I found out that they’ve been dancing together for over 15 years! Amazing. So that lead me to wanting to see Oliver really show his skills with someone he hasn’t dance with nearly 1/2 his life…And I found this social dancing video from 2005…The guy tears up the dance floor!

     
    • Marco

      Marco 10:04 am on March 26, 2009Permalink | Reply

      Yeah, I like his signature moves a lot; the 720 CBL (this time with hopping at the end), and the step in front body roll.

      I have got to dedicate some time for learning that slick leader’s two handed spin(s) followed by two handed lady’s spin(s) immediately after.

    • Anthony Persaud

      Anthony Persaud 8:05 pm on March 26, 2009Permalink | Reply

      He’s so freaking smooth and musical. Love it.

    • D-C 8:51 pm on March 26, 2009Permalink | Reply

      What a dancer… simply amazing to watch.

      Funny how I would rank Oliver and Milton Cobo as two of the smoothest dancers I’ve seen yet they have such a totally different style.

  • 9:15 pm on February 1, 2009 | 3 | Permalink Reply
    Tags: 80 year old salsa dancer

    Prime example of why we should all continue to dance…No matter how old we get!!!

    http://www.youtube.com/watch?v=dkHvRCp3z5A

     
    • Anthony Persaud

      Anthony Persaud 11:24 pm on February 1, 2009Permalink | Reply

      I saw this live once at the San Francisco Salsa Congress! We were all amazed. Standing ovation!

    • Marco 7:14 am on February 2, 2009Permalink | Reply

      Holy freakin crap. I have a few ladies that are slightly younger then her in my group class.

      I’m always so afraid of hurting them with any kind of aggresive movement, much less a double dip!

      Nice vid!

    • corey 8:49 am on February 4, 2009Permalink | Reply

      That is freaking awesome!!

  • 1:27 pm on February 1, 2009 | 0 | Permalink Reply
    Tags: , partnerwork, turning

    Hello everyone….well I’m my way home from tough salsa lesson I finally realized what has been my achilles heal in my quest to become a great salsa dancer…Lead turns!

    While dancing on On2 I have no problem staying on timing while turning the Follow on her turn patterns which should be 1-2-3 but when it involves a turn for the Lead right after on 5-6-7 my timing gets thrown off…I ALWAYS end up doing in my turn too slow or i get thrown off balance! So it just looks like I’m turning but I’m out of control. I have no problem doing them while practicing my basic left and right turns….it’s when the arms are involved it throws me off a bit..Does that make sense? Are the any tips you folks can throw my way? I know once I get over this hill it will be smooth sailing…

     
  • 8:08 pm on January 25, 2009 | 4 | Permalink Reply
    Tags: on1 on2

    I’m an On2 salsa dancer now…I started On1 which btw I had no clue it was On1 :) anyway…the instructor mention in class that once you go On2 you never go back to On1 and it made me think are there people out there who started On2 and went to On1?? I think that would be and interesting poll…which do u prefer?

     
    • lonbluster 4:47 pm on January 26, 2009Permalink | Reply

      Me too I started dancing on1, first with Cuban, than LA. Now I dance much more NY on2,I feel more in the music, and less in the mind…
      Anyway I can’t dance fast pace songs on2, I simply get mad. And that’s because it is characterized by a syncopated accellerate-slowdown.
      And generally in-line styles, both on2 and on1 get harder the faster the song is.
      I would say that On2 is a more relaxed dancing than on1, that requires musics below a certain beat.

    • Anthony Persaud

      Anthony Persaud 6:12 pm on January 26, 2009Permalink | Reply

      A lot of salseros start dancing on1 and then move on2. One of the main reasons we start dancing on1 is because we currently live in a down-beat culture: Hip-Hop, Techno, Rock, Alternative, Country, etc – highly emphasize the down beat in the music. Because we mostly grow up listening with these types of genres, it has become quite easily to feel the big ‘thump’ in the music. This is the reason why it is easier to dance on1 for beginners than on2. This is especially true if you start dancing MERENGUE first (or as I call it bad-latin-techno :-) ), you will be more comfortable hitting that downbeat in salsa when starting off.

      Dancing salsa on2, is dancing to the up-beat in the music. This sometimes known as the ‘response’ to the downbeat. After we have gained experience in salsa, we start realizing all the other instruments that are in a salsa composition. Dancing on2, allows us to move relative to any other instrument in the track as long as we dance on the clave since all instruments play relative to the clave. This makes every song a much enjoyable experience. However, because it goes against our inherited ability of dancing to the down-beat, it takes much longer for us to transition to this new timing.

      Just some thoughts to share :-)

    • Wil 8:30 pm on January 26, 2009Permalink | Reply

      Thanks Anthony that makes a lot of sense.

    • dorm_moth

      dorm_moth 2:00 pm on January 27, 2009Permalink | Reply

  • 9:01 am on January 25, 2009 | 2 | Permalink Reply
    Tags: , frankie martinez, group classes

    Looking for advice… I’m looking to take some group classes in New York City and I’ve narrowed my choices down to Frankie Martinez or Eddie Torres. Now I’ve been taking On2 classes for about 4 months (not with either of them) so consider myself at the beginner/intermediate level. Is there anyone out there that has taken group classes from both? I’ve taken a beginners class with Frankie already and I thought he was great though due to scheduling Eddie’s classes are a bit more convenient. Though I’ve seen photos of Eddie’s group classes and seem to be very packed with people which i think is a negative.

     
    • Julie

      Julie 12:02 am on January 26, 2009Permalink | Reply

      I’ve been to Eddie Torres’s class, and it was great…I really think you can’t lose with your options. I will advise you to figure out the appropriate level- I went to level II and it was clearly beyond me (I had been dancing 1.5 years and was beginning on2). The style of the class was lots of footwork, and hopefully you catch on, he doesn’t stop to help (although his wife Maria did). You may also consider Santo Rico, their classes were actually my favorite for their style (dance and teaching). Like I said, you really can’t go wrong, all the people you mentioned are truly amazing.

    • :) 12:49 pm on January 29, 2009Permalink | Reply

      I am a beginner as well. Have been taking classes for 3 months. Maria Torres (Eddie’s wife) teaches the Level I class. I highly recommend the class – she’s funny and makes everyone feel at ease. I’ve seen the class packed, but I’ve also seen it with about 15-20 people, which is not a lot for size of the studio.

      The class with Maria is $15 for 2.5 hours. First hour is shines (she breaks it all down very slowly), the second is partner work. It’s really great. I have not tried Eddie’s class yet, because I hear he is really fast to keep up with. But I hope you try their classes!

      I have yet to take a class with Frankie Martinez, and I am planning on it. I also go to a school in Queens because it is closer to me (which btw I love) but Maria’s class is so so great. It’s def my favorite. But like Julie said, you can’t go wrong either way. Try all of them!

  • 3:11 pm on January 13, 2009 | 2 | Permalink Reply
    Tags: , ,

    Help to get back on timing…I’ve been taking group classes for sometime now and for some reason sometimes after executing some turn patterns I end up dancing on1. Why does this happen? I’ve been told that there is a move to do that can get you back on2 without looking like your trying to catch up? Is this true?

     
    • hooknc 8:08 pm on January 13, 2009Permalink | Reply

      Yes, there are little tricks to go from dancing on1 to on2 and vice-versa.

      For going from on1 to on2…

      Dance an on1 basic:
      1 left forward
      2 right in place
      3 left back together

      4 right backward
      5 left in place
      6 right back together

      Then step with the following steps:
      1 left forward
      2 right forward
      3 left forward

      5 right forward
      6 left forward
      7 right in place

      You’re back on2.

      The forward steps mentioned above should be fairly small or you’re going to walk all the way across the dance floor.

      Best of Luck.

    • Julie

      Julie 2:30 pm on January 19, 2009Permalink | Reply

      OR…there’s the 8-count freeze: Just stop dead in your tracks and only use body movements until you are back on count. This one is nice because the lady will notice the body movements rather than the catch-up steps.

  • 8:36 am on January 12, 2009 | 8 | Permalink Reply
    Tags: remembering next steps, ,

    This message is really focused towards all the Leads out there…Obviously when starting to learn salsa we all have the tough task of remembering all the turn patterns. I recall in one of Anthony’s video seeing something about the lead should know the next 16 patterns he’s going to do? How is this possible..? Do you combine simple turn patterns with complicated ones? Or are you guys really just improvising?

     
    • donv69 1:11 pm on January 12, 2009Permalink | Reply

      I’m fairly sure Anthony had said you should be thinking 16 steps ahead. There are patterns that I do that are 12 steps.

    • wmdzign 2:08 pm on January 12, 2009Permalink | Reply

      ah…16 steps….can you give an example? I’m just trying to figure out the difference between patterns and steps….Is a cross body lead with an inside turn consider a pattern or a step? Man this salsa stuff is hard :) .

    • donv69 2:44 pm on January 12, 2009Permalink | Reply

      A step is when you put your foot down. Which is usually the same as the song’s beat.

      1-2-3-4 5-6-7-8

      A cross body lead is 4 steps. A cross body lead with turn is 8 steps.

      But don’t forget that in salsa the fourth step is actually a pause.

    • Anthony Persaud

      Anthony Persaud 5:49 pm on January 12, 2009Permalink | Reply

      I’m not sure if I said the next 16 patterns, but the next 16 counts (which is about two patterns). Knowing 16 patterns in advance is called choreography. :-)

      So, for me a cross-body lead is 1 pattern (takes about 8 counts a). A cross-body lead with turn is also one pattern (still takes about 8 counts). Some patterns require more ‘setup time’ than others.

      You could consider the next 16 counts as : a basic step (8 counts) followed by a cross-body lead (8 counts). Or, more advanced, a cross-body 180 is (cross-body lead to a 180 degree rotation to an open break) would be around 16 counts as well (even though its about 2.5 moves).

    • hooknc 8:18 pm on January 13, 2009Permalink | Reply

      In rueda we call patterns in a circle that everyone then performs. I know about 100 patterns, but there are well over 500 documented rueda moves.

      Learning and remembering moves is tough. No doubt about it.

      For me, I had to take lessons 2 – 3 times a week and then danced twice a week for three months before everything finally clicked.

      When you feel the click you’ll know it, it’s when the steps and the moves become one continues motion. It’s much like a singer and guitar player. The playing and singing become one motion.

      Now, after that moment you’ll be able to pick up moves like wild fire, but I would really recommend writing them all down with a standard vocabulary whenever possible.

      Then as you become comfortable with some of the patterns you know you’ll start to improvise with them and hopefully someday become reactive to the dance.

      It all just takes time…

      And lots of practice…

    • Wil 8:11 am on January 14, 2009Permalink | Reply

      I think this the best explanation I’ve seen for learning how to dance salsa…

      “it’s when the steps and the moves become one continuous motion. It’s much like a singer and guitar player. The playing and singing become one motion.”

    • donv69 7:03 pm on January 14, 2009Permalink | Reply

      Uhm, I guess cross body leads are 8 steps. Can’t believe I got that wrong.

    • Anthony Persaud

      Anthony Persaud 7:53 pm on January 14, 2009Permalink | Reply

      @donv69: Steps and counts are different. You can perform a cross-body lead with 4 steps (although it would probably be awkward). In terms of basic steps a cross-body lead utilizes 6 (1 (breaking), 2 (in place), 3 (open up)) and (5 (breaking in place), 6 (in place) and 7 (moving towards your partner) ) – when dancing on1. In terms of counts, a basic CBL takes around 8 counts that is not chained to another move.

  • 9:17 am on January 7, 2009 | 2 | Permalink Reply
    Tags: Juan Matos, Magna Gopal, ,

    Hello everyone, I was just wondering if anyone has ever seen a video of Juan Matos and Magna Gopal dancing together. These two are my favorites but I’ve searched youtube like crazy and have come up empty. Maybe someone has something in there video vaults from a congress or something…who knows…

     
    • Julie

      Julie 4:48 pm on January 7, 2009Permalink | Reply

      I just searched and couldn’t find anything either…anyone else?

    • tommrod 10:19 pm on January 14, 2009Permalink | Reply

      nothing.. but i found out that jareau and magna are married…cool.
      i wonder if they met dancing salsa…i want to find my magna then…

  • 8:50 am on January 6, 2009 | 2 | Permalink Reply
    Tags: ,

    Hello everyone,

    I’ll be attending my first salsa social in a few weeks…the infamous Jimmy Anton Social have any of you guys attended? What’s it like? What can I expect? This will be my first salsa outing outside of my dance class…so I will be nervous and I’m sure intimidated by all the great dancers. Just really looking to get a sense of it and what your experience was attending your first social.

     
    • Julie

      Julie 12:51 pm on January 6, 2009Permalink | Reply

      Though it wasn’t my first social, I went to Frankie Martinez’s studio party when I visited New York and definitely expected to be intimidated, but I wasn’t. People were all very friendly, and I am still convinced that socials are the best place to apply what you learn in class. I’ve heard great things about Jimmy Anton’s social, so I’m sure you will have fun! Just don’t be afraid to dance with more advanced dancers, we all learn that way. Have fun :-)

    • cesar 10:12 am on September 24, 2009Permalink | Reply

      saludos cordiales tengo un gusto enorme de estar bchatiando con tigo dime cuantos anos tienes

  • 6:50 am on December 19, 2008 | 3 | Permalink Reply
    Tags: ,

    The dreaded On1 vs. On 2….sounds like a video podcast to me. Anthony, I think it would great to show the differences between the two styles with the same song, if possible.

     
    • Anthony Persaud

      Anthony Persaud 9:46 am on December 19, 2008Permalink | Reply

      It seems like a touchy subject whenever we talk about it. There were a few articles written and an audio podcast (music) which I talk about On1 vs On2 and they were both received with much “discussion” in the old forums.

      It is really hard trying to communicate through words (regardless of medium) on how On2 feels different from On1. It’s kind of like explaining what the color red and blue is to a color blind person. (Red = On2 vs Blue = On1). It’s one of those things that needs to be experienced with several tries until you get that ‘a-ha’ moment which realize the difference. It is very similar to when a dancer becomes able to find the beat in salsa music for the first time.

      I wonder if getting other instructors to provide their explanation would help since it would provide multiple perspectives. Might be a good interview podcast.

    • Wil 3:46 pm on December 19, 2008Permalink | Reply

      After I made that post I went onto youtube and did a search for On1 vs. On2…I found some interesting
      videos…and they were quite helpful check them out

      This first one shows a dance team competing against each other one group dancing On1 and the second group dancing On2. I can definitely can see how On2 seems to be more in tune with the music.

      http://www.youtube.com/watch?v=BhPuqrODOHY

      This other video I found has an instructor demonstrating the differences between the styles. I actually think he takes it way too in depth which in turn causes confusion…hahah..anyway check them out…it’s definitely helpful

      http://www.youtube.com/watch?v=iQa_DvzkK9w

    • tommrod 11:17 pm on December 23, 2008Permalink | Reply

      ha so me trying to dance on 2 had actually been mambo on 2… and the quick quick slow thing i had been repeating it as tah doon dah …. sort of

  • 2:21 pm on December 15, 2008 | 17 | Permalink Reply
    Tags: remembering salsa patterns

    Remembering salsa patterns!!!!! Does anyone have suggestions/tips/tricks on remembering patterns… I’ve taking group lessons for about 4 months now…but it’s been very discouraging trying to remembering all the new patterns.Thanks in advance!

     
    • Marco 9:32 pm on December 15, 2008Permalink | Reply

      I’ve seen people take cheat sheets and have all the names of the moves they know written down.

      You could always download the A2S podcasts and take your ipod with you to the dance.

      I know I come back from some dances saying to myself…why the hell didn’t I remember that move!!!

    • hooknc 10:35 pm on December 15, 2008Permalink | Reply

      Follow Marco’s advice. Write the moves down and then study them.

      I write all my moves down on notecards and then use them as flash cards. It helps to visualize the moves.

    • Wil 7:34 am on December 16, 2008Permalink | Reply

      great tips!…anymore?…keep them coming

    • Sammy 2:01 pm on December 16, 2008Permalink | Reply

      I started with note cards, but it became too complicated fast. Note cards are hard to keep organized and time-consuming to create and update.

      I now have tiddlywiki set up with most of the moves I know. tiddlywikis are essentially easy-to-update-and-organize electronic index cards. Each index card, when complete, has a brief description of the move, a detailed step-by-step description, and one or more embedded videos (mostly excerpts from addicted2salsa podcasts, some excerpts from youtube) that show that move only.

      For organization, I tag the index cards (e.g., “dip” or “combination”), and have more cards describing options, e.g., all the ways I know out of a hammerlock, which started with the addicted2salsa episode.

      It is very fast to create each card with a brief sketch and tags, and I can then go back and add a detailed explanation and embed the videos when I have a little more time. I made a script that automates the video transcoding, but you still need to enter in the start time and duration. Since the cards are all linked together, it is easier to go through them than using physical index cards.

      I thought that I might put the video excerpts on my iPod, as Marco suggests. Since they show only the move, I think they are a bit more practical than including the full addicted2salsa podcast or a full youtube video. But I’ve actually never tried this.

    • Wil 2:33 pm on December 16, 2008Permalink | Reply

      Hey sammy do you have an example of the tiddlywiki cards…a link? or jpg of how you set it up

    • greeneggs

      greeneggs 5:58 pm on December 16, 2008Permalink | Reply

      Sure, here is a jpeg:

      and here is a pdf printout of all the cards. (It loses some formatting and hides the videos when I print it.)

    • greeneggs

      greeneggs 5:59 pm on December 16, 2008Permalink | Reply

      Sorry, here is the jpeg.

    • Anthony Persaud

      Anthony Persaud 7:42 pm on December 16, 2008Permalink | Reply

      @greeneggs: Great contribution! Awesome way to use PDF functionalities of Embedding video.

    • lonbluster 7:54 am on December 19, 2008Permalink | Reply

      I have experienced as well lots of difficulties with remembering patterns, and I was wondering why some other times they come instead very easily in to my mind, without effort of remembering them, or I am even so free that I do something I never studied before, as a fantasy!! (and that’s the best thing!!)

      A first answer is the timing! When you listen to the music correctly, and move your body with confidence of the position of each step, everything else come quite naturally and you don’t even bother to do new staff, even if they come as well quite naturally.
      I don’t like keep insisting in the effort of trying new staff when my basic step is not relaxed with the partner.
      If I see the my partner can’t keep the timing consistently and naturally, I am not inspired at all to do new things, I prefer to enjoy simple movements, smiles, body movements communication…

      So…second tip… Dance with GOOD dancers!!

    • Carl 7:56 am on December 21, 2008Permalink | Reply

      Video. Use cell phone, or a mini camcorder. And tape the combination at the end of class. Most instructors in my area are use to it. Even the advanced warm up lesson at the clubs has everybody recording it.

    • tommrod 10:47 pm on December 23, 2008Permalink | Reply

      there’s a phenomenon of the human brain function.
      don’t remember the name they use. but is this sort of trance like state that comes with mostly all of the next behaviors.
      relaxation, concentration, accuracy, enjoyment of the task at hand. it usually happens when we forget about ourselves, and let it happen. i’m pretty sure that most of you people have felt this in many other instances of life (i used to feel it as i played ping pong i was pretty good at it and yes enjoyed it a lot)
      so i would rather enjoy what the task at hand is rather than try to show everybody that i’m crazy good at it.

      as lonbluster posted

      “…and move your body with confidence of the position of each step, everything else come quite naturally and you don’t even bother to do new staff, even if they come as well quite naturally…”

      seems like what i’m talking about.

    • tommrod 10:53 pm on December 23, 2008Permalink | Reply

      oh i had forgotten something
      1. once you start thinking about what you are doing you will probably break that trance like effect…cool ain’t it? sort of have to let one’s brain work by itself without one’s annoying self interrupting… sorta
      2. you have to take on account that you are probably not dancing alone, so how good is it to know and remember that many patterns if you don’t truly know your partner?? i read a girl saying she doesn’t like turns… weird huh!

    • lonbluster 6:09 am on December 26, 2008Permalink | Reply

      What about learning the lady’s steps, so you will know how she feels when doing those combinations!

    • Burton 9:15 am on December 26, 2008Permalink | Reply

      @Sammy:
      How are you embedding the youtube videos in tiddlywiki? I’m unable to figure it out, it comes up as just text, not an embed. Thanks!

    • greeneggs

      greeneggs 1:54 am on December 30, 2008Permalink | Reply

      @Burton: You need to install the PlayerPlugin (http://www.TiddlyTools.com/#PlayerPlugin). To install it, you copy-paste the whole card into your tiddlywiki. Then a typical command to embed a youtube video is “<>”. Every player should have a different identity, although it doesn’t matter too much.

    • greeneggs

      greeneggs 1:54 am on December 30, 2008Permalink | Reply

    • Daniel Ellis 10:23 am on January 31, 2009Permalink | Reply

      Here’s something else to think about. I have heard about several studies that show that the human mind makes very little distinction between what we actually experience, and experiences that we create in our mind. For example, in a study where people were asked to either practice shooting basketball free throws, or to just visualize shooting them, both groups made improvements, and the magnitude of the improvement was only slightly better for the group that actually practiced the shots.

      Many Olympic athletes and top performers visualize a perfect performance before they compete. When I was in my early stages, I would just listen to a song and try to visualize myself going through different patterns, and I think it has been one of the most important things in helping me to connect lots of different patterns together on the fly. Try it out and see if it helps you, and let me know how it works. :)