Archive for the 'dancer post' Category

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The Process of Change-Some Possible Steps

From latinaskin:

You will all be surprised what you will learn from a Modern dance class. Currently, I’m taking that class which surprisingly has helped me become more aware and understanding of my movements in dancing salsa as well as life. Anyways I was handed an article, Making Connections, that I would like to share pieces from, regarding the theme of changes one goes through as both a dancer and an individual.

Continue reading ‘The Process of Change-Some Possible Steps’

Recapping the First Annual San Diego Salsa Festival 2007

Alas, the weekend is over! I don’t know about everyone else who attended, but I was exhausted on Monday!! Let’s talk about the venue, the people, the performances, the workshops, let’s talk about it ALL!

The Venue:
this year it was at the Four Points Sheraton off of Aero Drive. Overall, there was plenty of room to dance, convenient enough to be one story (with not having to wait for elevators, go up/down stairs), and cooling off was just a step outside (no corridors to have to walk through). I really liked that they had tables and chairs for everyone outside, where the bar was, so people could just hang out to cool off. That wasn’t the case at the other two congresses that I’ve attended. Also, plenty of free water and Rumba, the official energy drink of the San Diego Salsa Festival, hahaha.

The People: Social dancing was pretty good, a mix of on1/on2 dancers. There weren’t as many LA attendees as I had thought there would be (maybe for the SD on2 repertoire?). But I was pleasantly surprised and impressed by a handful of Mambo Inc. dancers, and of course the old school San Diegans. A couple of “known” salseros I danced with included Victor Perez (of Hacha Y Machete), and Iran Castillo (a local San Diego instructor of Son Y Pasos). I was also honored by a dance with Karlos, which you will probably see on nuevotec.com, soon since Allan was following us around with his bright camera light. I danced with Also had the opportunity to lead Anthony in Bachata, you can ask him about that one. Joshua of Joshua & Amaris from Vegas was a very nice lead as well. There weren’t as many people as there could have been, but with such a well-organized and great event put on by Angel and Tulane Rivera, I don’t doubt that next year will be even better. Hopefully, more people will discover how great San Diego is, and want to attend next year. Also, with it being a little smaller this year, there were more opportunities to dance with the greats.

The Performances: Some highlights (in no particular order) were Jayson Molina & Emily, Victor & Burju, Tito & Tamara, Jr and Emily, Joby & Paco, Josie & Hector, Majesty & Motion of San Diego, Al and Karla, Mambo Inc. of LA, and the Alma Latina Kids, who always deliver standing ovations each time. Jayson was supposed to dance with Griselle Ponce, but something came up with her, so he had to borrow Emily real quick and teach her a routine in about 40 min–amazing! Of course, Tito and Tamara had their ChaChas, wonderfully performed and well-danced. I absolutely love how into their dancing they get–they just look like they’re having the time of their lives. With couples like that, the chemistry they have is really apparent on stage. I was told by a source that it was because they’re Puerto Rican, haha. And well, I’d have to give it to Vic & Burju for my favorite performance of the weekend. That choreography looks amazing on video, but to see it in person, it’s breathtaking and reviving. Wow, they really love each other and their entire bodies move when they dance. If you’ve seen them in person, you know what I mean. They got a standing ovation as well. Performers came from Vegas, Utah, Wisconsin, LA, Orange County, Mexico, Puerto Rico, etc.

The Workshops: I wish I could tell you about more of the workshops, but with everything that happened, I attended only 2 and helped to teach one. Iran Castillo’s very advanced on2 class on Sunday was one, Vic and Burju’s Body Movement class was another, and then helped to teach an afternoon Bachata class with Carlos Hammond. Burju’s body movement class was A-MAZING. Absolutely AMAZING. I loved it–she’s a very sweet and funny person (we got to interview her and Joby), and her and Vic play off each other really well. You can tell they have a lot of fun! And Iran’s class, of course, was very challenging! I’ve heard people say that there should have been more variety in instructors, which I can support. But its also good because if you can’t attend one of their classes on one day, you can always attend the other one. As it is the first one, I think its a little harder to get a lot of instructors, as well as have funds for them.

Overall, it was well-organized, well-scheduled, and pretty good! Obviously, the promoters can definitely use this as a learning tool for next years. It was definitely a good start, and there weren’t any major complaints from me. Others may beg to differ. It is also up to the dancer to make the most of the opportunities available. Met some dancers that will also be attending SF congress, so it’ll be nice to look forward to some familiar faces in November. That’s why I love congresses–social networking! For those of you that came, I hope that you can spread the word about the event so that we can make San Diego a landmark for Congress, as it has great potential. And for those of you who weren’t able to attend, it’d be a great disservice to yourself not to come join us. Until the clave beats again…

Flare (aka Pauline)

Mexico City and the Origins of Mambo

You ever wondered how Salsa started? Where it started? When it began?I am a nut for the history of things so I have been researching Salsa for a while now. I have been around the NY/NJ Salsa scene for about 10 years now and I have seen how it has changed. Yeah, there are more instructors. Yeah, there are more places to dance. Yeah, the dancers are better. But the most important change has been that mainstream people are again appreciating the Art of Salsa now and they are wanting to take part in it. I have been working on a set of articles that will detail the history of Salsa/Mambo through the last six decades. In the meanwhile, let me give you a little peek.

Although this video is from a 1965 film, this Mexican film “El Dengue del Amor” shows the importance that Mexico had in the development of Mambo in the 1950s. The song in this video is “Mambo Universitario” starring Perez Prado as himself. The university portrayed is the U.N.A.M. (Universidad Nacional Autonoma de Mexico) whose professional soccer team are the “Pumas”. Continue reading ‘Mexico City and the Origins of Mambo’

Nuevotec Salsa Summer Splash 2007 Video Dance Review

Anthony Persaud Interviews Majesty In MotionWhat’s the sweeter bonus? A weekend in beautiful Palm Springs, CA? Or a salsa congress and bootcamp in the 2007 Salsa Summer Splash? Maybe it’s a draw. Regardless, I had a great time at the event. Palm Springs gets very crowded with salseros in the months of July and August. Al Espinoza’s event somehow pulls a large following, despite the fact that his party is the third event (in 8 weeks) in the desert oasis. Both the workshop/bootcamp portion and the performances/parties were well attended. Want a reggaeton class? Check. Bachata or salsa shines? Yup. I’m trying to recall if there was a zouk workshop. Wanna talk about some great instructors? John Narvaez and Liz Rojas from Salsamania taught an intermediate/advanced on2 pattern class. The bay area team broke down the pattern thoroughly, and even split the class between guys and girls to get their respective pieces down. John also took some time outside of the class to help me with a difficult section. Anthony and I really enjoyed the session.

John and Liz from SalsaManiaIn addition to meeting Sir Anthony Persaud of San Diego for the first time, I met Pauline (Miss Flare), Karlos, and a bunch of other salseros from the Bay Area, LA, San Diego, etc. Great company. On the performance tip, they started pretty close to their scheduled time, within a half hour. Some of the standout routines included Majesty in Motion, John Narvaez and Liz Rojas, Pretty Boys and Girls, Salsabor y Cache. Click on some of the images below for a sampling of the videos. Thanks to Anthony for doing the interview with Dave Stein and Majesty in Motion. Keep the podcast going for the community! Continue reading ‘Nuevotec Salsa Summer Splash 2007 Video Dance Review’

Thinking Outside the Box-step

Salsa Outside the Box If you want to become a better salsa dancer, learn a different dance. That’s right, I said it. Learn something else. Why? Because it might just give you a new perspective on dancing in general, and that may just benefit your Salsa in more ways than you might expect.

I love Salsa…but I admit that it was not my first love. That title belongs to swing…Lindy Hop to be more specific. But that’s ok, because had it not been for my love of one particular dance style, I would never have ventured to others, including Salsa. My experience has taught me that you can always learn something new and apply it to something you already know. The benefits of doing this can lead to increased kinesthetic knowledge of how your own body can move, dance innovation by applying elements of one dance style to another, and improved dance technique. My disclaimer is that not everyone takes away the same thing(s) from each style of dance, so I will share a few examples of what I have learned along the way:

Continue reading ‘Thinking Outside the Box-step’

Eclectic Styling is all about “la musica”

As most salseros and salseras know salsa dancing or dancing is general is all about the music and the atmosphere. When one enters a salsa club the usual sound one may hear is the sound of people chatting in the background and the pulsating music of drum beats, trumpets, maracas, piano, and the famous clave.(Bam, Bam, Bam, Bam-Bam) In all genres of music there is a thing called “timing” and in salsa, it becomes a question of, “On one or on two?” So, what does that have to do with styling, as the theme of this topic is about styling? Well, the way one moves his or her shoulders, the way most ladies flair their arm movements in a delicate manner, and the way one spins to the music has a lot to do with timing, experience, and experimenting. Through my exposure of the salsa and other forms of dance I will explain how the role of timing, experience, and exposure has a lot to do with styling.

  • Timing) “Do you dance on 1 or on 2?” and if your a beginner you may be thinking, “Does it really matter?”. For some it may be “yes” or “no” which has a lot to do with experience and preference. When I first started dancing on 2, I thought timing did not matter because by being a lady I just though you step forward instead of stepping back with the basic step. However, most salsa dancers I have spoken with told me that salsa on 2 has more of a pause and more time to play with the music and prep for a spin (my opinion- I believe it gives one more momentum). On that pause one speaks about may allow more room for styling such as body rolls, body movement, and footwork just a few to mention. In addition to allowing more time to style on the pause, some have mentioned that on 2 gives more room to play with the music. What do I mean by play with the music. Sometimes that has a lot to do with the accents of the music which is a strong syllable or musical note which emphasizes the pitch like a sudden and distinct loud trumpet in the music. This relates to styling ,if one can remember back to a childhood game of freeze tag, where one child becomes “it”-tagging people- and the other children are running around from that kid and if they are tagged then they “freeze”. Some people like to “freeze” to the accent by hitting a pose and standing still for that pause like a manikin.. Those are just examples of styling. So going back to the point of timing some prefer to style or hit the accents on 1 and 5 which can rely a lot on the vocals or the tempo of the music. Same thing goes with on 2, but the emphasis is on 2 and 6. So where can you see the majority of the style on 1? The famous style known for on 1 salsa dancers is in Los Angeles, California. Example of on 1 music can be Sonorra Carruseles. For on 2 dancers the majority or on 2 dancers in in New York and an example of an on 2 music group can be New Swing Sextet. Overall, there are a variety of styles of music which can depend on the music and some of styles of dances become world wide different. Some example can be: Colombian, Cuban, French, Argentinian, and Indian.
  • Experience) Timing does not only come into play with styling, but one’s background in dancing. A lot of dancers have years of dancing to little to no dance experience and some apply it to their salsa styling. Some genres of dancing can be hip-hop, tango, ballet, jazz, modern, lyrical, Broadway, ballroom, or cultural dances like ballet Folklorico. Some hip-hop dancers love to really pose on the accents or use signature hip-hop moves like one might have seen on dance videos on MTV. (and that is a maybe). For dancers who have years of background in jazz, modern, lyrical, and ballet have a good foundation for technique which means that his or her style is very controlled and have very “good lines” with the placement of arms, feet and torso. In addition, there foundation in those strong dances can help them adapt spins a lot easier which has a lot to due with balance. As for Broadway dancers, they can be almost as fun as hip-hop dancers which can help them really play with the music. My experience in dancing is a little bit of everything, however, I have never been consistent at it, but when I found a dance I absolutely felt passionate about that’s when my styling had a lot to do with involving myself in group classes and being on several salsa teams. My style fluctuated from one style to another style which had a lot to do with preference of the team’s style of on 1 or on 2. (yet again) However, now I want to be able to find my type of signature style which has a lot to do with years of experience and exposure. When going back to the topic of experience some beginners getting into salsa can say they have no experience which is o.k. Overall, if one is starting to get into salsa I recommend to not figure out or get frustrated with styling because that become an issue into the end (key advice to beginning ladies- I recommend little or no styling when dancing with a partner because when I first started I tried to hard to style and ended up injuring a lot of my partners). If you have been dancing for a while and trying to find your “salsa style” like I still am doing some advice friends/dancers have given me are:
  1. Relax
  2. Practice any body isolation in the mirror like body rolls, shoulder rolls, and hip rotation
  3. This also goes with shines/footwork
  4. Watch videos (youtube.com)
  5. Take group classes/ join a team (depends on your budget)
  6. Go out to the salsa clubs for exposure
  7. Have a fantastic time on the dance floor feeling all sexy and smile because it makes your partner comfortable: )
  • Exposure) This brings me with the last topic of this article which I have been mentioning several times which has a lot to do with what I mentioned above on #7 under experience and that is “exposure”. What that means is not only practicing what you do at a studio setting like group classes and teams, but trying to cut and paste it on to the dance floor. Sometimes just watching your favorite salseras/salseros gives you a glimpse of what style you like whether it is on 1, 2, or 3. Basically it is up to you, not your friends, your crush, or “yo mamma”, but Y-O-U. Overall, dancing on the social dance floor should be an intrinsic motivation more than extrinsic motivation because while some want to show off others want to dance for themselves and they love of the “la musica”.

So Ladies and Gentlemen, I hope you got the concept/ meaning/ purpose of this article that styling is all about gathering a little bit of here, there, and everywhere. Think of it like food if you like it, eat more of it and if it really does not fit your taste, don’t eat it or even try it. Just always remember that eclectic styling starts first with the few pounding beats of your racing heart.

My inspiration- Magna Gopal

http://www.youtube.com/watch?v=vY2WJEseblc

This is me experimenting :D

http://www.youtube.com/watch?v=NsUWvEJ-heM