Addicted2Salsa in Deutsch Addicted2Salsa in het Nederlands Addicted2Salsa en Français Addicted2Salsa στα ελληνικά Addicted2Salsa en Español Addicted2Salsa 和

Archive for the 'salsa technicals' Category

Top 5 Tips to Learn Salsa Dancing on Your Own

Most articles, forums, and videos emphasize these two ways to learn: in class and at the club.  Yet there is so much more that you can do on your own to become a better dancer- no floor or partner necessary.  Here are 5 tips to help you learn Salsa on your own, which will help you improve at a MUCH faster rate.

1. MAKE FRIENDS WITH THE MIRROR- Practice body rolls against a wall or mirror, focusing on ‘peeling yourself off of the wall’.  For a downward roll, start with your head and follow with your chest, stomach, hips, and knees.  For an upward roll, come back up with your knees, hips, stomach, chest and finally head.  This will give you the muscle memory, and muscles in general, to do great body rolls while dancing.

Continue reading ‘Top 5 Tips to Learn Salsa Dancing on Your Own’


The famous Salsa Hell dance graph

Now, I’ve been so busy with my real life (work), that I haven’t been able to even go out dancing! Yes, I know its blasphemy around this site. However, looking over some old files, I found a great treasure that I’d like to share.

Salsa Partnering Learning Curve

I first saw this graph from when I used to read articles from Eddie The Salsa Freak (salsaweb.com). I think this graph is an accurate representation of what leads (men) and ladies (follows) tend to generally follow in terms of learning salsa dancing for the first time.

This usually explains the disconnect when a couple starts learning how to dance - and why some girlfriends get frustrated with their boyfriends because they are not learning ‘fast enough’ compared to other men. I’ve had experience in those situations, which of course, is when I step in and give my speech on how we all start the same way. We all go through what I like to call ‘Salsa Hell‘ - which in this graph is labeled ‘Beginner’s Hell’. (You might want to check out why leading is harder than following article about your brain and salsa.

Think back and wonder if there was a point in your learning when all of a sudden everything becomes clear, and you (amazingly) start learning patterns faster and begin to listen/feel the music in a totally different fashion. I think the yellow marker for beginners is usually the point when they can hear the beat in the music like a perfect played note in a quiet room. Once they pass that obstacle, their feet movements are removed from their mind and can focus on patterns (which are mainly hand positions).
I wonder how many of you might agree (or disagree) that you have followed this graph when you were learning salsa? I look forward to your comments.


Salsa Dancing : Your Brain on Dancing

Salsa Technicals : Your Brain on Salsa I found this article very interesting…. it explains why at the beginning of learning salsa, its difficult to multi task your motor skills. This is also scientific proof of why learning to follow is much easier than learning to lead… Learning to follow requires the use of the sense of touch (which according to the published research - the brain can easily handle because it is directly connected to the motor processing part of the brain). However leading requires the images of the actions (planning and forming motor actions) be kept in the leads head followed my multiple motor skill actions - which the brain cannot easily do at the same time. (it has to keep track of how the leads feet are placed, timing of music, planning the next move, how the move should look, the follows feet, the hands to lead the move…etc). It says that the reason we are able to do this is because by forcing our brain to perform all these activities repeatedly, it ends up turning all these different tasks into just one. So as an example, crossbody lead - instead of thinking, ok, step forward, step side, open up, lead the lady across, and come back together on 7 and basic step… we just think - cross-body lead (so we don’t have to “plan” for a cross-body lead just let our muscles execute it) and our brain is then free to do ‘other’ things such as adding styling and flavor.

Article: http://whyfiles.org/shorties/220square_circle/
(And not for the faint of heart, here are the papers:

http://www.personal.psu.edu/dar12/Publications/Publications_06_w.htm )

“The experiment, published in the November/December Journal of Experimental Psychology, proved that the limitation is neither in the muscles nor in the part of nervous system that communicates directly with them, Rosenbaum says. “Instead, we have come to the idea that the source of the limitation is conceptual, it’s not in the execution.” When asked to draw a square and circle, “you need to keep those two forms in mind, and that’s hard for us to do.”

Touch input goes to a part of the brain called the somatosensory cortex, which is directly connected to the motor cortex, Rosenbaum explains. And apparently these two areas are happy to trace squares and circles without help (or hindrance!) from the brain’s intellectual center, the prefrontal cortex, which makes plans and carries them out.

So how, for example, do musicians do two things at once? “It turns out that very, very few people can carry out two differently timed activities totally independently,” says Rosenbaum. “If you sing while playing guitar, over time, you learn to think of them as a single task.”


Eddie Torres explains Salsa On2

Thanks to our correspondent Karlos, who sent us this nice video clip of an old Eddie Torres instructional DVD. I get a lot of questions about timing and clave - and of course, the main discussion of dancing On2/On1. Here is a great find, one of the best I’ve seen, on what it is to dance on clave. This instruction specifically shows you how the ‘tumbao’ or ‘el vacio’ hooks into the basic salsa step. Specifically, watch how when those parts of the beat match the parts where Eddie in the video breaks forward and back. Of course, that is all I will say (to reduce the nasty-grams about On2). Anyways, a video is worth ten-thousand words.


Salsa Technicals : Playing with the music … Alex Lima

Well, got back from LA Congress (in one piece). However, more on that story (and its videos later on). However, I’d like to talk about playing with the music - since I finally found some video that someone took of Alex Lima one of my favorite solo dancers that really understand how to choreograph to the music. His solo choreography is amazingly fast, precise and fun to watch. I saw Alex Lima perform at Palm Springs several months ago, but at that time I was without a camera. Regardless, pay attention to the song that is being played as he dances to it. Notice how the footwork and body movements are nicely synchronized to the fluidness of the song. Of course, this is a video - but I remembered watching it live was an amazing experience.





This blog contributes to the web with Nofollow Reciprocity.