Addicted2Salsa in Deutsch Addicted2Salsa in het Nederlands Addicted2Salsa en Français Addicted2Salsa στα ελληνικά Addicted2Salsa en Español Addicted2Salsa 和

Archive for the 'salsa tip' Category

Men’s Styling for Salsa Cross Body Leads

Men's styling in salsa dancingThe often-requested men’s styling for salsa dancing has arrived! Once you have a solid basis for your cross body leads, the next step is to be able to do variations of it. In this salsa video, we teach ways to spice up your salsa by adding style to your cross body leads. Anthony will teach you how to do a monkey move and a hook step into a cross body lead, and at the end how to add a shimmy. For the ladies, see the sister video with ladies’ styling, taught by Julie.

Credit of the “Monkey Move” goes to David Stein from Majesty In Motion.
Watch in HD
Continue reading ‘Men’s Styling for Salsa Cross Body Leads’

Find the Salsa Beat Exercise Soundtrack

I am very happy to have found out that interest in learning to dance on2 (NY/PR) timing has started becoming very popular on addicted2salsa.com. To help everyone become more familiar with the clave and the VERY important conga slap, I have edited the original salsa clave track I created in Garageband for Episode 25 : Finding the Salsa Beat and modified it for an easier learning experience. This should help everyone make it part of their daily schedule to play the track at least 3 times a day while they do some other task. Doing this will allow your brain to sink-in that conga beat and rhythm subconsciously - so that it starts becoming easily recognizable by your ears.

At first, I recommend forgetting about the clave when listening to the soundtrack. Focus on the ‘tu-ku (small pause) PA!’ (conga) sound first. The ‘tu-ku’ sound happens on the 8-AND and 4-AND counts. That ‘PA’ sound are your 2’s and 6’s when dancing on2.

I have loaded the waveform of the track and added some cue markers for you to understand what is happening in the beat. You can do the same with any audio editing program, for example, the free Audacity. Please remember that this is not a perfect graph of the waveform, but it is very accurate if you focus your attention on the peak points. (No noise reduction or normalizing was done).

The exercise video (recommended) is posted here : Salsa Beat and Rhythm Exercise. You can download the soundtrack version here: Salsa Clave Practice Soundtrack

Salsa Clave and Conga Audio Waveform

Salsa Clave and Conga Audio Waveform

Top 10 behaviors for guys to avoid at the salsa clubs (and not be creepy)

For all of the guys out there wondering what goes through the minds of salseras (or women in general), I sat down with some fellow lady dancers and discussed behaviors that guys should avoid at the club. In any dance culture, there is a certain unspoken etiquette. For those who are new to salsa dancing, these tips may come in handy so that you don’t give the wrong vibe.

1. We don’t endorse the use of force.

Ask the lady to dance with you, don’t Cave man salsatell her she is going to dance with you. Grabbing her wrist and urging, “Come on. Just one song” does not fly. If she declines, the best reaction is to acknowledge her choice and walk away. No verbal persuasion, cajoling or physical dragging should be utilized - especially when her boyfriend is around. If she gives the bathroom excuse, do not wait for her outside the bathroom- that is just plain creepy.

2. Ask her twice, she’ll turn to ice.

You can ask twice in one night, but not one right after the other. When a song has ended, it is best not to ask her to dance right away. Even if you both seemed to have fun, give it some time and leave her wanting more… that is much better than risking her wanting to push you away.

3. Yakkity Yak? We won’t come back.

Leave the chatting to Cathy! Keep talking to a minimum- exchanging names and where you are from at the beginning of the song is fine, but what the ladies don’t like is when guys sacrifice the dance itself, and end up doing basic step the whole song while chatting. This comes across as hitting on us.

Continue reading ‘Top 10 behaviors for guys to avoid at the salsa clubs (and not be creepy)’

How to do the 180° Cross Body Lead with Turn

The 180° Cross Body LeadIn this episode of Addicted2Salsa, we go back to the basics to help you learn how to do a 180° Cross-Body Lead with a Turn (*a few others call this the ‘Coca-Cola’ move).  This move is a lot simpler than it may appear. We first start off refreshing you what a Cross-Body Lead with a Turn looks like and from there add-on the extra dance steps required to do a half-revolution. Getting the 180 degree cross body lead will help build the salsa framework for you to execute the 360 cross body lead - which will show you in a future episode. If you have any questions, feel free to post them at http://social.addicted2salsa.com .

The song used in this video is ‘Manias’ by Tito Nieves.

How to dance like a professional : Dance Tips for Leaders

Imagine yourself in that salsa club for the first time: the music is loud, upbeat and with great energy and everyone is dressed in a fashionable way. As you walk in, you approach the dance floor. Here is when you are truly introduced to the world of salsa.  You stare at the dancers as you see dancing, executing all these amazing turns; how they dance with passion, the sexiness, and then again, the turns! The never-ending, fun turn!!

Sound like your experience? It was definitely mine, so right away I knew I had to learn how to dance.

Once I started dancing, the better I saw myself dancing, the more I noticed that some girls did not enjoy dancing with me or they’d just flat out say no every time I asked them to dance. Why? After all I was doing all the turns and dips, the sexy patterns, the fun stuff - you know, the works.

It was after some time that I truly learned what makes a guy a great dancer:

“ When you dance salsa, you don’t make the girl do the turns, you guide her”.

This observation alone is very general, but it opens the door to help you understand dancing in a new way. Leading is the key to being a great dancer. Let’s dive in to see how you can improve the way you play your role on the dance floor as a leader.

Here are my tips:
Continue reading ‘How to dance like a professional : Dance Tips for Leaders’

How to get more men to ask you to dance : The Red Effect

The Red Experiment

The Red Experiment

A new study by the University of Rochester reveals the strong role that the color red plays in influencing our perception of the opposite sex, primarily men. While it has been known that red is attributed to specific behaviors in people, this study empirically tested the theory to provide conclusive evidence of the fact. The color red affects men at a primitive level:

“..the women shown framed by or wearing red were rated significantly more attractive and sexually desirable by men than the exact same women shown with other colors. When wearing red, the woman was also more likely to score an invitation to the prom and to be treated to a more expensive outing.”

But here is my perspective:
Continue reading ‘How to get more men to ask you to dance : The Red Effect’

Why dancing Cha Cha is good for you

Why is Cha Cha good for you?

  • Cha Cha fixes timing problems.
  • Cha Cha trains your ear.
  • Cha Cha teaches body styling and isolations.
  • Cha Cha is cool.

Let’s see why.

Frankie Martinez often says that “if Salsa is the man, then Cha Cha is the woman”. Cha Cha can be so delicate like the smell of a woman’s hair and as emotional as the jealousy of a girlfriend. There is an incredible addiction to dancing Cha Cha that is not very apparent at first, but very powerful.

Maybe it is because of its catchy and light Cha Cha Cha rhythm, or the marked accent of the 2 and 6 beats. Maybe it’s the carefree and non-hurried feel of the dance. Cha cha is so slow compared to Salsa that it feels like there is almost an infinite amount of time to develop and execute body isolations. Moreover, because Cha Cha is slower in tempo, we tend to pay more attention to the rhythmic components. The tumbao rhythm becomes so apparent in a way that it takes control of our body. The connection of the steps to the percussion of the music is remarkably easy to feel.

Perhaps its attraction rests on the opposite feel of its components, the cha-cha-cha (4 and 5 or 8 and 1) part feels subtle and natural, and the 2 3 (or 6 7) feel so determined and exact. And it is this contrast in movement that allows us to experiment with our bodies.

In terms of technique, the Cha Cha teaches exact timing and definition of steps. The Cha Cha rhythm is easy to hear and dance because the music is so slow that we can internalize the connection of the steps to the percussion beats. Initially, beginners dancers find it difficult to stay on the Cha Cha beat because Cha Cha’s tempo is so slow compared to Salsa. After a while the “cha cha cha” part of the beat jumps out from the music and it becomes crystal clear, taking hold of one’s sense of timing.

Cha Cha is precise in way that salsa cannot match. 10 milliseconds of discrepancy in a Cha cha step makes the body feel out-of-tune, whereas the same discrepancy in Salsa is the expected standard tolerance. ChaCha has very little room for timing error, but lots of freedom of in movement range.

So next time that the DJ plays a Cha Cha, do not take a break. Instead, grab a partner and use that opportunity to experiment with some isolations. Better yet, try to dance Cha Cha with perfect timing. After a while, there should be a noticeable improvement in your Salsa dancing.

[More at ScarletMambo]

Top 5 Tips to Learn Salsa Dancing on Your Own

Most articles, forums, and videos emphasize these two ways to learn: in class and at the club.  Yet there is so much more that you can do on your own to become a better dancer- no floor or partner necessary.  Here are 5 tips to help you learn Salsa on your own, which will help you improve at a MUCH faster rate.

1. MAKE FRIENDS WITH THE MIRROR- Practice body rolls against a wall or mirror, focusing on ‘peeling yourself off of the wall’.  For a downward roll, start with your head and follow with your chest, stomach, hips, and knees.  For an upward roll, come back up with your knees, hips, stomach, chest and finally head.  This will give you the muscle memory, and muscles in general, to do great body rolls while dancing.

Continue reading ‘Top 5 Tips to Learn Salsa Dancing on Your Own’

How to do Salsa Dips: the way the ladies like it

Nice dip

Since we have had several requests lately for instruction on dips, I though I would provide some female perspective.  I asked some fellow salseras, and this is what I found.

Our favorite kind of dip is a small one at the end of a song.  By small, I mean the guys bring us into dipping position and we lean back slightly, but it looks more like a perpendicular hug, as seen in the picture to the left.  This is an elegant ending to a nice dance.

Our least favorite kind of dip ……..

Continue reading ‘How to do Salsa Dips: the way the ladies like it’

Take the lead (or follow?)

One of my favorite things to see when I’m out social dancing or watching a performance is a woman who can lead or a guy who can follow. I think there’s a bit of pride, maybe a bit of machismo (sorry guys) and a bit of apprehension (sorry girls) when it comes to changing the traditional lead and follow roles and I think that’s really a shame. For one thing, learning to follow if you’re a lead or vice versa is so helpful improving your skills. You get insights into the job of your usual partners that you just can’t get any other way. For another, I love to see salsa that’s off the beaten path - whether it’s from fusion with another dance (Swing Guys, anyone?), themed performances, or doing a little lead/follow switcheroo.

Take a look at the next few videos. In the first Jorjet leads Jennifer Stein, in the second, David Stein leads Jayson Molina (sorry this one is rather dark), and in the third, two brothers perform a tango routine (note the repeated change of lead/follow - so subtle and so awesome).

Jorjet and Jennifer Stein

David Stein and Jayson Molina

In all of these examples, the lead and follow are the same gender, but that certainly need not be the case. I dance with a rueda group and we’ve got girls who lead and a few guys who follow and we like to mix it up. We even have a move called “ladron” (the thief) so that we can change up who leads mid-song. This keeps things interesting and audiences love it. The more options you have, the better, right?

So the next time your out at the club, ask a friend to indulge you in a salsa experiment and see how it feels to dance the way the other half does. If nothing else, you’ll get a good chuckle and who knows, you might learn something, too.