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Archive for the 'salsa tip' Category

Why dancing Cha Cha is good for you

Why is Cha Cha good for you?

  • Cha Cha fixes timing problems.
  • Cha Cha trains your ear.
  • Cha Cha teaches body styling and isolations.
  • Cha Cha is cool.

Let’s see why.

Frankie Martinez often says that “if Salsa is the man, then Cha Cha is the woman”. Cha Cha can be so delicate like the smell of a woman’s hair and as emotional as the jealousy of a girlfriend. There is an incredible addiction to dancing Cha Cha that is not very apparent at first, but very powerful.

Maybe it is because of its catchy and light Cha Cha Cha rhythm, or the marked accent of the 2 and 6 beats. Maybe it’s the carefree and non-hurried feel of the dance. Cha cha is so slow compared to Salsa that it feels like there is almost an infinite amount of time to develop and execute body isolations. Moreover, because Cha Cha is slower in tempo, we tend to pay more attention to the rhythmic components. The tumbao rhythm becomes so apparent in a way that it takes control of our body. The connection of the steps to the percussion of the music is remarkably easy to feel.

Perhaps its attraction rests on the opposite feel of its components, the cha-cha-cha (4 and 5 or 8 and 1) part feels subtle and natural, and the 2 3 (or 6 7) feel so determined and exact. And it is this contrast in movement that allows us to experiment with our bodies.

In terms of technique, the Cha Cha teaches exact timing and definition of steps. The Cha Cha rhythm is easy to hear and dance because the music is so slow that we can internalize the connection of the steps to the percussion beats. Initially, beginners dancers find it difficult to stay on the Cha Cha beat because Cha Cha’s tempo is so slow compared to Salsa. After a while the “cha cha cha” part of the beat jumps out from the music and it becomes crystal clear, taking hold of one’s sense of timing.

Cha Cha is precise in way that salsa cannot match. 10 milliseconds of discrepancy in a Cha cha step makes the body feel out-of-tune, whereas the same discrepancy in Salsa is the expected standard tolerance. ChaCha has very little room for timing error, but lots of freedom of in movement range.

So next time that the DJ plays a Cha Cha, do not take a break. Instead, grab a partner and use that opportunity to experiment with some isolations. Better yet, try to dance Cha Cha with perfect timing. After a while, there should be a noticeable improvement in your Salsa dancing.

[More at ScarletMambo]


Top 5 Tips to Learn Salsa Dancing on Your Own

Most articles, forums, and videos emphasize these two ways to learn: in class and at the club.  Yet there is so much more that you can do on your own to become a better dancer- no floor or partner necessary.  Here are 5 tips to help you learn Salsa on your own, which will help you improve at a MUCH faster rate.

1. MAKE FRIENDS WITH THE MIRROR- Practice body rolls against a wall or mirror, focusing on ‘peeling yourself off of the wall’.  For a downward roll, start with your head and follow with your chest, stomach, hips, and knees.  For an upward roll, come back up with your knees, hips, stomach, chest and finally head.  This will give you the muscle memory, and muscles in general, to do great body rolls while dancing.

Continue reading ‘Top 5 Tips to Learn Salsa Dancing on Your Own’


How to do Salsa Dips: the way the ladies like it

Nice dip

Since we have had several requests lately for instruction on dips, I though I would provide some female perspective.  I asked some fellow salseras, and this is what I found.

Our favorite kind of dip is a small one at the end of a song.  By small, I mean the guys bring us into dipping position and we lean back slightly, but it looks more like a perpendicular hug, as seen in the picture to the left.  This is an elegant ending to a nice dance.

Our least favorite kind of dip ……..

Continue reading ‘How to do Salsa Dips: the way the ladies like it’


Take the lead (or follow?)

One of my favorite things to see when I’m out social dancing or watching a performance is a woman who can lead or a guy who can follow. I think there’s a bit of pride, maybe a bit of machismo (sorry guys) and a bit of apprehension (sorry girls) when it comes to changing the traditional lead and follow roles and I think that’s really a shame. For one thing, learning to follow if you’re a lead or vice versa is so helpful improving your skills. You get insights into the job of your usual partners that you just can’t get any other way. For another, I love to see salsa that’s off the beaten path - whether it’s from fusion with another dance (Swing Guys, anyone?), themed performances, or doing a little lead/follow switcheroo.

Take a look at the next few videos. In the first Jorjet leads Jennifer Stein, in the second, David Stein leads Jayson Molina (sorry this one is rather dark), and in the third, two brothers perform a tango routine (note the repeated change of lead/follow - so subtle and so awesome).

Jorjet and Jennifer Stein

David Stein and Jayson Molina

In all of these examples, the lead and follow are the same gender, but that certainly need not be the case. I dance with a rueda group and we’ve got girls who lead and a few guys who follow and we like to mix it up. We even have a move called “ladron” (the thief) so that we can change up who leads mid-song. This keeps things interesting and audiences love it. The more options you have, the better, right?

So the next time your out at the club, ask a friend to indulge you in a salsa experiment and see how it feels to dance the way the other half does. If nothing else, you’ll get a good chuckle and who knows, you might learn something, too.


Salsa Common Sense 101: Don’t B*tch Slap your partner…

Well, Rumnet found this ’salsa’ dancing video on Youtube. Other than non-salsa music in the background, this is probably the craziest thing I’ve ever seen. Now, I’m not sure if the lady was the man’s wife - but as you can see, he didn’t even apologize to her… to tell you the truth, I’m just speechless.





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