Archive for the 'salsa tip' Category

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Why dancing Cha Cha is good for you

Why is Cha Cha good for you?

  • Cha Cha fixes timing problems.
  • Cha Cha trains your ear.
  • Cha Cha teaches body styling and isolations.
  • Cha Cha is cool.

Let’s see why.

Frankie Martinez often says that “if Salsa is the man, then Cha Cha is the woman”. Cha Cha can be so delicate like the smell of a woman’s hair and as emotional as the jealousy of a girlfriend. There is an incredible addiction to dancing Cha Cha that is not very apparent at first, but very powerful.

Maybe it is because of its catchy and light Cha Cha Cha rhythm, or the marked accent of the 2 and 6 beats. Maybe it’s the carefree and non-hurried feel of the dance. Cha cha is so slow compared to Salsa that it feels like there is almost an infinite amount of time to develop and execute body isolations. Moreover, because Cha Cha is slower in tempo, we tend to pay more attention to the rhythmic components. The tumbao rhythm becomes so apparent in a way that it takes control of our body. The connection of the steps to the percussion of the music is remarkably easy to feel.

Perhaps its attraction rests on the opposite feel of its components, the cha-cha-cha (4 and 5 or 8 and 1) part feels subtle and natural, and the 2 3 (or 6 7) feel so determined and exact. And it is this contrast in movement that allows us to experiment with our bodies.

In terms of technique, the Cha Cha teaches exact timing and definition of steps. The Cha Cha rhythm is easy to hear and dance because the music is so slow that we can internalize the connection of the steps to the percussion beats. Initially, beginners dancers find it difficult to stay on the Cha Cha beat because Cha Cha’s tempo is so slow compared to Salsa. After a while the “cha cha cha” part of the beat jumps out from the music and it becomes crystal clear, taking hold of one’s sense of timing.

Cha Cha is precise in way that salsa cannot match. 10 milliseconds of discrepancy in a Cha cha step makes the body feel out-of-tune, whereas the same discrepancy in Salsa is the expected standard tolerance. ChaCha has very little room for timing error, but lots of freedom of in movement range.

So next time that the DJ plays a Cha Cha, do not take a break. Instead, grab a partner and use that opportunity to experiment with some isolations. Better yet, try to dance Cha Cha with perfect timing. After a while, there should be a noticeable improvement in your Salsa dancing.

[More at ScarletMambo]

Top 5 Tips to Learn Salsa Dancing on Your Own

Most articles, forums, and videos emphasize these two ways to learn: in class and at the club.  Yet there is so much more that you can do on your own to become a better dancer- no floor or partner necessary.  Here are 5 tips to help you learn Salsa on your own, which will help you improve at a MUCH faster rate.

1. MAKE FRIENDS WITH THE MIRROR- Practice body rolls against a wall or mirror, focusing on ‘peeling yourself off of the wall’.  For a downward roll, start with your head and follow with your chest, stomach, hips, and knees.  For an upward roll, come back up with your knees, hips, stomach, chest and finally head.  This will give you the muscle memory, and muscles in general, to do great body rolls while dancing.

Continue reading ‘Top 5 Tips to Learn Salsa Dancing on Your Own’

How to do Salsa Dips: the way the ladies like it

Nice dip

Since we have had several requests lately for instruction on dips, I though I would provide some female perspective.  I asked some fellow salseras, and this is what I found.

Our favorite kind of dip is a small one at the end of a song.  By small, I mean the guys bring us into dipping position and we lean back slightly, but it looks more like a perpendicular hug, as seen in the picture to the left.  This is an elegant ending to a nice dance.

Our least favorite kind of dip ……..

Continue reading ‘How to do Salsa Dips: the way the ladies like it’

Take the lead (or follow?)

One of my favorite things to see when I’m out social dancing or watching a performance is a woman who can lead or a guy who can follow. I think there’s a bit of pride, maybe a bit of machismo (sorry guys) and a bit of apprehension (sorry girls) when it comes to changing the traditional lead and follow roles and I think that’s really a shame. For one thing, learning to follow if you’re a lead or vice versa is so helpful improving your skills. You get insights into the job of your usual partners that you just can’t get any other way. For another, I love to see salsa that’s off the beaten path – whether it’s from fusion with another dance (Swing Guys, anyone?), themed performances, or doing a little lead/follow switcheroo.

Take a look at the next few videos. In the first Jorjet leads Jennifer Stein, in the second, David Stein leads Jayson Molina (sorry this one is rather dark), and in the third, two brothers perform a tango routine (note the repeated change of lead/follow – so subtle and so awesome).

Jorjet and Jennifer Stein

David Stein and Jayson Molina

http://youtube.com/watch?v=MpksbTsmiWA

In all of these examples, the lead and follow are the same gender, but that certainly need not be the case. I dance with a rueda group and we’ve got girls who lead and a few guys who follow and we like to mix it up. We even have a move called “ladron” (the thief) so that we can change up who leads mid-song. This keeps things interesting and audiences love it. The more options you have, the better, right?

So the next time your out at the club, ask a friend to indulge you in a salsa experiment and see how it feels to dance the way the other half does. If nothing else, you’ll get a good chuckle and who knows, you might learn something, too.

Salsa Common Sense 101: Don’t B*tch Slap your partner…

Well, Rumnet found this ’salsa’ dancing video on Youtube. Other than non-salsa music in the background, this is probably the craziest thing I’ve ever seen. Now, I’m not sure if the lady was the man’s wife – but as you can see, he didn’t even apologize to her… to tell you the truth, I’m just speechless.

The effectiveness of dance teams to your salsa social dancing..

Salsa Dance TeamsSo, I (Anthony Persaud – so others don’t claim this article…cough..cough) was asked recently about my thoughts on being on a dance team. This is a pretty controversial topic because being truthful hurts businesses (and the way some of dancers make a living). With that sentence said, you already know where my opinion lies.

My disclaimer. Now, let me be clear: joining a dance team is beneficial to your dancing. However, the question that was brought up to me was on how effective is joining a dance team to improve your social dancing. In this context, I have a different opinion on dance teams.I am not big into performing and choreography because my true passion in salsa dancing lies in social dancing (and music of course). Now, I’m not sure about everyone else, but the main reason I love learning salsa, watching salsa and being around salsa is because of the social dancing parts of salsa. I think it is because social dancing lets everyone have a unique flavor, style and chemistry in every different dance that feels more natural and is fun to watch.

Now, to answer the question – in general, YES. Dance teams do help with technique, teach you styling and work on your fundamentals at the same time as you are learning teamwork and choreography. However, it is only #3 or #4 in my list of things that you should be doing to get better in your social dancing. The #1 thing to do to improve your social dancing is………wait for it…..wait…. for it….. there : go out social dancing more often. Sorry, no miracle cure or magical trick – we all have to go through salsa hell (I decided to make an entry in Wikipedia for this term).

I understand how beginners feel, I used to be one (or maybe I still am in some dancer’s eyes). It sucks to go out to a club where there are just amazing dancers, and you just don’t want to ‘intervene’ in the scene. You may think that you’ll get better by having a partner to practice with in your alone time – and that is not necessarily true either. Dancing with a variety of people all the time will help you determine what you are specifically and consistently doing incorrect in your lead/follow/spin. That is the key word: consistency. We are always consistently doing something wrong and right. But the only way to find out what it is, is to test you ability in different situations. Just like science: keep an independent variable (you) and change the dependents (your partners). Putting yourself in different situations will teach you more about your ability than anything else. While I have been on different dance teams, I have to say that the most I’ve learned has come from going out more often, watching social dance videos online and throwing-myself-at-the-salsa-congress-dance-wolves. You end up learning from your mistakes more often than your successes.In a team, you are placed with a partner who will learn to compensate for your mistakes unintentionally due to both of you knowing the choreography. Therein lies the biggest problem with trying to become a great overall social dancer in a team environment. In social dancing, everything happens improvised (in some sense) and therefore it makes you work twice as hard just to perform any single action than in choreography. Additionally, you cannot develop your own style in a team because you must follow order to match the style of the choreographer as well as retain appearance in the performance with the rest of the dancers – unless the choreographer’s style is the style you are willing to gain.

In conclusion (for my opinion), while joining a team is beneficial to your dancing in general especially when you have a great dancer as the director, it cannot compensate enough for getting most of your practice and learning from going out and social dancing. Now, some people will probably disagree but this has always been my experience that when I see a person improve – it has been by their own doing, not by the director’s instruction.Your experiences are very much welcomed in the comments.

http://www.youtube.com/watch?v=O_yKagPJQqA